она February 7, 2018 Оставите одговор

Gianni Versace gets title billing in the current season of Ryan Murphy’s anthology series American Crime Story, but the story belongs to his murderer, Andrew Cunanan. A serial killer who targeted gay men, Cunanan was already being pursued by the FBI in connection to four murders before he shot Versace in the head outside his beachfront villa in South Beach in July 1997, and while the season opens with the famed designer’s death, it quickly spins back in time to track Cunanan’s bloody path to Miami. In last week’s episode, Cunanan, played by Darren Criss, killed Lee Miglin, a closeted married man who was a longtime client of Cunanan’s escort services, and tonight introduces David Madson, Cunanan’s ex-boyfriend and second victim, who is portrayed by the Australian newcomer Cody Fern in his television début. “If you know Ryan’s work, you know that Ryan is not going to just give you the assassination of Gianni Versace,” Fern says. “That doesn’t interest him so much as the context around it and how it got to this point. He finds ways into stories that nobody else does. I don’t know where it comes from, but he understands human nature in a way that most people don’t.”

Coming off the success of The People v. O.J. Simpson, the first season of American Crime Story, which aired in 2016 и добила је серију еммис и Златни глобус за Прецизнију истрагу расизма, мушка доминација, а медијски циркус од деведесетих, Убиство Гианни Версаце урања у хомофобије рад епохе и шта Папрат описује као "како људи третирају мушкарце и посебно како геј мушкарци третирају хомосексуалце." Једна од преко линија сезоне је поновио бунглинг полицијски предмета-у веома prva епизода, a car trunk is shown stuffed full of Wanted flyers with Cunanan’s face that no one took the initiative to distribute—and the prevailing attitude that, until Versace’s death and the media attention that followed, dismissed Cunanan’s killing spree as a “gay” problem. “People might not say it as crassly as that, but essentially what it came down to was like, ‘Let’s just let them have at it and we’ll go about our normal, straight police cases,’” Fern explains. “The series really explores gay shame and what it meant to be a gay man in the Nineties coming out of the AIDS crisis. My character is dealing with an intense amount of gay shame and it’s a really subtle, but sad, look into his psyche.”

Cunanan’s first victim, Jeffrey Trail, played here by Finn Wittrock, was found wrapped up in a carpet in Madson’s apartment, and Madson was originally considered an accomplice until his body was found a few days later after Cunanan shot him multiple times. The days between the two deaths were, папрат каже, the hardest to portray, given the extreme situation in which Madson found himself. “You can go through the facts and be like, ‘Ok, they arrived at this gas station and it’s logged here and then his body is found here,’ but nobody can tell you what it’s like when you’ve just seen your best friend murdered in your apartment and then you’re on the run with this person who has a gun,” he explains. Along with Maureen Orth’s nonfiction book on which the series is based, Fern relied on the testimony of Linda Kasabian, a star witness in the Charles Manson trials, to try to understand his character’s mindset. “I looked at her testimony and pieced through breaking down the psychology of what it must be like to fight for one’s life knowing that if you push the wrong button at any point in time, you’re dead.”

Stepping into one of the buzziest shows of the year seemingly out of nowhere might seem like high stakes, but Fern is already used to taking big risks. Raised in the town of Southern Cross (становништво: three hundred) in Western Australia, the twenty-nine-year-old actor studied management and marketing at university and was working a corporate job at Ernst & Young when he decided he needed a change. “I hit twenty-two and I just realized that I hated my life,” he recalls. “I hated everything about. I hated the music I was listening to, I hated the city that I was in, I hated the people that I associated with. It was one of those moments where you have either a breakthrough or a breakdown and I had to ask myself some really serious questions about who I was going to be.” He quit his job and joined an experimental theater group, performing in front of a handful of people a night. “I’m sure I was terrible in it, but I got great reviews and I was like, ‘Oh my god, I’m going to be an actor,’” he laughs, “but I’d secretly wanted to be an actor since I was five or six.”

A few years later, Папрат слетео водећу улогу у аустралијском производњи тоуринг у Тони-виннинг плаи Вар Хорсе, као тинејџера који прати његову коња да се боре у Првом светском рату. Његов наступ је стекао обавештење у Аустралији и понудио му "Мастер Цласс" у сценском глуме док је путовао са производњом од Мелбурна до Сиднеја и Брисбане током једне године. "По сто-и-КСКС перформансе, Понекад имате ове тренутке на сцени где си као, Где сам ја јеботе? Која линија а до? Ко сам ја? What day is it?” he laughs. “I loved that. I loved every moment of that because you have to find things within yourself to push through to re-engage with the work and to reconnect with the audience.”

у 2014, Fern received the Heath Ledger Scholarship for rising Australian actors, which offered mentorship and ten thousand dollars in prize money and allowed him to move to Los Angeles, where he now lives. “I knew I needed to get to America because Americans are so big in their ambitions and they’re so unabashed about it," он каже. “There’s something great about the American Dream. очито, it can be debilitating, but there’s also something really great about this philosophy that you can do anything that you want to do if you just work hard enough. That was intoxicating to me.”

Fern made his feature début last December opposite Jennifer Garner, Justin Kirk, and Maika Monroe in the independent film The Tribes of Palos Verdes, playing a teenager whose troubled home life encourages a downward spiral into drug addiction. The role is strikingly demanding and intense, especially for a first time out, which was exactly what Fern was looking for. “It’s kind of masochistic, but you look at that as an actor and you’re just like, О Боже, what a feast," он каже. “You get to start off as this young, innocent, hopeful, ambitious kid and you get to wind up a meth addict. That really fascinated me.”

With American Crime Story now airing and a number of other projects in the months to come, Fern’s acting career is clearly on the upswing, али његове амбиције проширити писању и усмеравање, као и. Он је тренутно на послу на карактеристику која је већ одложен када је потписан да игра МАДСОН и каже да је познато неко време да је желео да изведе своје пројекте и гурају се на нове начине. "Бринуо сам о занатству и стало стварно ради на изградњи нешто што није зависило да ли ме не неко волео и да није био у вези моје личности,” he explains. "Мрзим ради посао где морам да се понашају као ја. I don’t know how to act like myself on camera.”

Убиство Гианни Версаце: American Crime Story continues on Wednesdays on FX.

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